Video Editing

AIandDesign shared a Claude Code plugin that analyzes songs and assembles archive or supplied footage locally. The workflow includes concept approval, preview frames, and license warnings.

AIandDesign uses a Claude music-video plugin to reimagine John Waite’s “Missing You.” Dreamina renders and collaborator footage match the original video’s VHS aesthetic.

Dustin Hollywood reports removing music while preserving dialogue and effects, with a Stages AI tool planned. QualitativAi describes a local ComfyUI method using Meta’s SAM Audio.

PJ Ace shared an experimental Claude skill that edits five or more video variants, posts them as Instagram trial reels and reports the winner. The skill remains in testing, with weekly updates planned.

Magnific shared Move prompts that time captions, punch-ins and an example-video mosaic to speech. The workflow starts with a Seedance talking clip and preserves its dialogue and performance.

Levelsio says Claude Code with Opus 5.5 cut 58 minutes of DJI footage into a 10-minute vlog. The workflow used local transcription, contact sheets, speaker matching and JSON cut lists.

Magnific's walkthrough uses a Seedance base clip in Move to add graphics that respond to actions. It demonstrates overlay placement, subject visibility and timing revisions.

Magnific Move generates editable motion graphics from prompts. Demos show adaptive aspect ratios, multilingual output and frame-specific revisions via comments.

AIandDesign’s Claude Music Video skill prepares prompts and audio-only videos for Dreamina lip sync. Returned renders go into a working folder for automated Python-script editing, without MCP connections.

AIandDesign used Dustin Hollywood's critique with Claude to revise a music video and its plugin. The plugin is available directly while official marketplace approval is pending.

Dustin Hollywood says Stages AI's CUE agent edited his images and mastered song into a video, including vocal stem separation and effects. The desktop app is not yet released.

Gokayfem's Video 2 Physics workflow uses Claude Opus 5.5 to measure errors, solve mechanics and render corrections. The open-source demo checks results with an independent solver.

_VVSVS says Claude Opus 5.5 scripted and edited a course trailer in three iterations using supplied footage, ElevenLabs voiceover and a sound library. The creator asked it to analyze the music to guide cuts.

AIandDesign's Claude plugin assembles music videos with beat-synced cuts and timestamp-based revisions. A finished demo combines Archive.org footage, Runway imagery and Hedra lip sync.

Grok Bot’s latest release adds video generation from descriptions or images. A creator demo shows storyline planning, clip assembly, titles and music; a developer says wider rollout is still pending.

Peter Yang’s open-source /video-short skill adds B-roll, graphics, captions and generated media to recordings. A review page lets users leave frame-specific comments for an agent to apply to the next draft.

Magnific demonstrates relighting clips after animating flat-lit stills in Seedance 2.5. Its Video Relight walkthrough covers light direction, color and intensity.

Pika’s official Swap Anything demonstration shows scene changes inside ChatGPT while retaining the original movement. Related demonstrations show post-shoot relighting and soundtracks timed to the footage.

AIandDesign made V3X’s “Shine Strong” video through Claude Opus 5.5 using Hedra’s MCP. Its vertical cut adapts the original 16:9 video to 9:16 with selective upscaling and crop selection.

Demos show Mirelo SFX 2.0 removing unwanted music and adding scene-matched effects while preserving speech. The model does not generate speech.

GlennHasABeard demonstrates a Claude skill that turns horizontal footage into vertical cuts. The skill is not yet public, and multi-character handling and visible judders still need work.

Ozan Sihay says Claude Opus 5.5 edited the opening 80 seconds of his YouTube video in Premiere, including animations. He reports using about 30% of his session quota at high effort.

InVideo's agent arranged shots, music, vocals, effects, levels, cuts, and gaps from supplied creative direction. A separate workflow analyzed an edit, aligned music and effects, and refined color.

FrameJam is a free, open-source workflow for Claude Code, Codex and other agent harnesses that sends screenshots and timestamps to agents. The feedback is tied to specific video frames for editing.

Creators report that InVideo's live MCP connects GPT, Claude or custom agents to image and video generation and editor controls. Agents can run the generation-to-editing workflow from their own console.

Pika launches more than 40 creative apps for specific tasks. Demos show shot reframing that preserves original content, two-character podcast videos, color grading and product ads generated from photos.

A creator reports producing a 15-second motion-graphics ad without manual edits using Claude Opus 5.5 agents. The run involved 5,313 tool calls and about 12 hours to build the scenes, soundtrack and render engine.

Higgsfield says its MCP integration enables Claude Opus 5.5 to create graphics and animations, render video, and export editable After Effects projects. Its published pipeline assigns compositing to After Effects and 3D work to Blender.

Magnific published a workflow that creates a depth map from reference footage with Claude Opus 5.5 and its MCP, then uses Seedance 2.5 to alter the environment, wardrobe, or characters. The edits retain the source motion while changing those visual elements.

Creator demos show Claude Opus 5.5 producing short narrated explainers, opening credits, and marketing videos from detailed prompts. One report says a 30-second voiced animation ran inside Claude's VM from a single prompt.

Creators describe using InVideo Editor with GPT-6 Astra to turn raw footage into edits while retaining control over story and style. In one test, the editor added atmosphere, impacts, transitions, and synchronized effects to the edit.

A creator’s tool uploads video and exposes frames through volumetric playback, time slices, opacity controls, synchronized playback, and 360-degree orbit export.

Charas Power AI documented a workflow using InVideo Agent Two to produce a nearly four-minute fantasy trailer from script development through shot generation. The workflow locks character, environment, and prop sheets before generation.

Higgsfield’s demo shows GPT-6 Astra handling camera work, 3D rendering, motion blur, grain matching, and compositing for a live-action VFX shot. A separate demo claims Astra retains context in After Effects.

Higgsfield says its ChatGPT integration turns uploaded assets, product sites, or briefs into editable After Effects work. Higgsfield also describes automatic reframing and a prompt-built GPU plugin for animating a 3D brain.

Black Forest Labs launched FLUX 3 Video Edit [fast] for targeted edits to objects, backgrounds, text, materials, events, and dialogue. The company says the mode better preserves unedited parts of a clip while making the specified change.

Netflix released ID-V2V to restyle recorded footage while preserving a performer’s identity, expression, gaze, motion, and lip sync. The Apache 2.0 release supports relighting and imperfect edited keyframes.

A creator used InVideo Agent Two to make a nearly four-minute trailer using a script, character and location sheets, visual references, and a project playbook. The workflow iterated Seedance 2.5 shots before final editing.

Higgsfield says GPT-6 Astra can clean footage in After Effects, assemble sound effects in Logic Pro, and deliver an editable project file. Separate demos show it generating, editing, and posting short videos through Higgsfield and TikTok.

Topaz for Web brings video enhancement to a browser app, including upscaling, slow motion, frame interpolation, and SDR-to-HDR conversion. It also includes image upscaling and deblurring.

Google’s Agentic Video processing lets Gemini reason across a video’s transcript, audio, and frames rather than scan the whole file uniformly. Google says dynamic frame sampling can cut token use by up to 88% on supported tasks.

A creator used InVideo’s Agent Two to plan a nearly four-minute film, then moved generated and uploaded footage into an editable timeline. The editor agent assembles footage from natural-language instructions while preserving manual control.

Magnific used its agent to plan scenes and prompts for a character-led romantic trailer. It assembled the MiniMax H3 clips in Premiere through its plugin.

Runway released Ruby to convert uploaded or generated SDR clips into 16-bit HDR. Max and Enterprise users can export clips up to 30 seconds as EXR sequences, ProRes, or HEVC files.

Topaz says Hyperion 2.5 converts 8-bit AI footage into HDR video. Astra now exports ProRes 10-bit, EXR 16-bit, and H.265 10-bit; Topaz Video support is planned.

Remotion Skills 2.0 simplifies its APIs, generates interactively editable code in Studio, routes best-practice prompts to relevant skills, and removes embedded design defaults. Studio output remains editable, while projects no longer receive built-in design defaults.

Stages says V5 gives VIDX and SIGNAL shared editor intelligence, durable command history, deterministic CUE actions, and safe replay. Stages Connect can control TouchDesigner, Blender, After Effects, and Unity through MCP.

Luma says Layers is live in Luma Agents for extracting editable elements from uploaded or generated images. Demos show product swaps, headline edits, object inserts, and modify-video keyframes.

Adobe's AI Assistant is being demoed as a storyboard-to-video pipeline inside Firefly. The flow creates character sheets, shot lists, frames, soundtrack, clips, and a rendered board; Firefly Boards also has free daily generations.

Creators posted concrete pipeline notes for Stages AI, LTX, inVideo, Seedance, Firefly, and Opus 5. Reports included a $12 avatar tutorial, two-day agent runs, and QC loops for short films.